Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich

Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich

By James Rankin, Anna Ullrich

Animation Presets, a sophisticated Clone device, scripting aid, and a strong new colour correction procedure are only a number of the purposes you are chomping on the bit to get all the way down to paintings with After results 6.5. In those pages, a grasp of the medium helps you to do exactly that, proposing a chain of initiatives that discover each element of Adobe's animation and results powerhouse. by way of targeting the parts that may be not easy for pro clients - even if simply because they current thorny matters or simply because they draw on thoroughly new beneficial properties - this quantity offers the concentrated, functional guideline you want to maximize your After results productiveness. each one lesson offers need-to-know counsel, confirmed concepts, and most sensible practices for quite a few After results 6.5 capabilities: from uploading and coping with pictures to viewing and enhancing layers, animating kind, and extra. The significant other CD comprises QuickTime educational videos, resource code, and records for the entire book's tasks.

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Now you can assemble the final spot with each of the sections. 97, and Duration 30:00.

Rename and recolor the Pale Orange layer to Pale Purple (RGB: 187, 168, 255) and the Mid Orange layer to Mid Purple (RGB: 133, 79, 255). 3. Select the RainbowLamp layer. jpg layer in the Timeline and retain the layer's keyframes. Leave the Position and Scale as they are. New colors for the purple section 4. Change the text layer to display …that ties the room together, change the text's color to a really dark purple (RGB: 85, 50, 168), and position the layer at 177, 410. Changing the text for the purple section [View full size image] 30 31 Save and preview your work.

Set its Scale to 41, 41% and its Position to 376, 270. 5. Add a 0% Opacity keyframe to Kitchen_02. 6. Go forward 15 frames, and change the Opacity to 100%. Adding a second image to the composition [View full size image] If you preview the composition from time 4;00 to 6;00, the chandelier photo should fade out while the kitchen image fades in at the same location. Next, you need to move the vertical and horizontal bars to match the rest of this layout: 55 56 1. Go to time 4;00. 2. Select the Vertical Bar layer, and press the [ key to bring the layer's In point to the current time.

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